Spider-manโs iconic black suit not only began as fan-fiction; but was created in my own backyardโฆ
It goes without saying, but Spider-man is one of the most recognizable and popular fictional characters of modern times. Aside from the practical life lessons Spider-manโs tales teach us, he simply has one of best designed costumes of any superhero. The classic costume was designed by co-creator Steve Ditko back in 1962 and, for decades, has had minimal changes. That is until 1984, when Marvel comics unleashed the Saga of the Alien Costume detailing Spideyโs new look, powers, and โresponsibilitiesโ that came with it. The jet black costume with the large white spider โhuggingโ Spideyโs torso is considered iconic by todayโs standards. But, once again proving the world of fandom hasnโt changed, his new threads were met with major fan backlash.
Despite the bed wetting, Marvel comics truly embraced Spider-manโs new look. Going as far as rebranding their own corporate logos, letterheads, and marketing materials featuring Spider-man solely wearing his fresh black and white duds. Signifying the era of red and blue was over. The dark minimalist modern look is Spider-man as we know him. A move as bold as the costume itself! But why change something already iconic? Why fix what isnโt broken? Well, to simply shake up the Spider-verse. The higher the stakes of the story, the more attention it gets, the more copies sold. Spider-man trading his iconic costume for a new one is daring. But just how and why is it happening?
Marvel UKโs Spider-Man #632 (1985) โ cover art by John Stokes
There are two ways to explain this: one involving interplanetary war, alien technology, and super powers. And a second thatโs far more personal and interesting.
From a fictional perspective, Spider-man went to Beyonder’s Battleworld during Secret Wars, picked up the black symbiote from a machine he thought would fix his damaged suit, and had Mr. Fantastic remove it once he discovered it was sentient and taking control of his body. Then-editor-in-chief Jim Shooter felt like stirring the proverbial spider-pot. And the Saga of the Alien Costume involved some heavy hitting comic talents of the day; with names like Tom DeFalco and John Byrne absorbed by the symbiotic goop. Spidey went on wearing the black suit for the next 4 years of publication.
The symbiotic alien costume became one of Spider-manโs most legendary looks and eventually led to an entire symbiote saga spawned (heh) by Todd Mcfarlane. During Mcfarlaneโs rise to industry superstardom, he created the super villain Venom whowent on to become Spider-manโs most popular adversary and a comic book all star in his own right. Decades later thesymbiotes have become not only a staple of Spider-man but the Marvel Comic universe.
And It All Started With a Piece of Fan Mail…
Jim Shooter’s Response Letter to buy Randy Schueller’s “black suit” idea for $220!
Lets fast forward to early 2007, Sam Raimiโs third blockbuster Spider-man film looked to be adapting the saga of the symbiote suit; by this time considered an iconic storyline. Suddenly the โsymbiote sagaโ became as relevant as ever within popular culture. The massive hype surrounding Spider-man 3 shattered the quiet demeanor of humble Spider-fan Randy Schueller. A fan letter response circa 1982 had been circulating online concerning the black suit saga. Comic Book Resource managed to contact Randy Schueller, the fan in question, and published a response directly from him:
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There’s been some discussion in the fan press recently about the original idea for Spidey’s black costume coming from an anonymous fan. Well it’s true and I am that fan. Here’s my story…
Back in the early 80s, Marvel ran a competition for aspiring writers and artists. Being a lifelong Spidey fan with delusions of comic grandeur, I took a stab at a story idea.
I thought it would be cool if Spidey needed to upgrade his powers and his look, so I came up with this idea that Reed Richards had made a new costume for Spidey using the same unstable molecules that the FF costumes are made of. The unstable molecules would flow into Peter’s pores and allow him to cling to walls better.
I saw the new suit as a stealth version of the original costume – jet black so he could blend in with the shadows. At best, all you could see of him was the blood red spider emblem, emblazoned on his chest. (Yeah, in my design the spider was red, not white. I also gave him underarm webbing like in the original Ditko design.)
Oh yeah, and I stole an idea from Iron Man and made his web shooters work using the same cybernetic technology that Tony Stark used to control his armor. Peter just had to mentally imagine the kind of web line he wanted to shoot and the suit would do it for him. (Keep in mind, this was 25 years before Civil War and “Iron Spidey”!)
A few months after submitting the story I received a letter from Jim Shooter saying he liked the idea and wanted to buy it for $220. I was thrilled! But the best part – they offered me a chance to write the story. How cool is that?
I ended up submitting a second version and even had a follow-up phone call or two with Tom DeFalco to discuss the script. Wow! Me on the phone with a real live Marvel editor. I still can’t believe this happened !In the end, the whole scripting thing just didn’t work out for me – I don’t remember the exact reasons. I submitted another version of the story, they didn’t like it, I stopped sending in letters. The whole thing just kind of fell apart. Regardless, I had no regrets. As a true blue Spidey fan, this was a very cool moment in my life.
A year or so later, when Secret Wars came out and I saw my costume idea executed in a completely different way than I had envisioned it, I was simultaneously thrilled and saddened. And when the idea of the black costume caught on, I was even more thrilled. And then when VENOM was created I was…disturbed. I was never a fan of the costume-turned-villain idea. Venom just never really seemed to work for me. But I digress…
Now, fast-forward to 2007. I see that the black costume (MY black costume, sort of) is making it’s way to Spider-Man 3. Wow! I couldn’t stand it anymore – I had to come out of the closet and tell my friends and coworkers about my contribution to this year’s BIGGEST blockbuster. And I had all the documents to prove it even if Marvel never mentioned my name.
Since Marvel paid me for the story, I have no real gripe, but I do feel bad that they didn’t give me any kind of acknowledgment in the comics. You know, something like, “costume concept by Randy Schueller” or “Thanks to Randy Schueller for inspiration,” or “Randy Schueller, you Spidey fan-boy stud, you rock!” But no, I got nothin’! That’s my one disappointment in this whole story.
I’ve written to Tom Defalco before, but I’ve gotten no response. Maybe Marvel is afraid I’ll sue them or something, but that’s not the case at all! I don’t want any money, I don’t want any legal rights to the Venom character. All I want is this: a mention in the letters column of Amazing Spider-Man recognizing me as the nameless fan who sparked the idea for the black suit which eventually led to the idea for Venom which eventually became the basis for this freakin’ monster movie we call Spider-Man 3. That’s all I want.
Thanks for letting me vent!
Randy Schueller
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Since this story broke back in 2007, Randy has been credited in a few articles and wiki pages concerning Spider-manโs black suit. But he has yet to receive any official credit or nod from Marvel Comics. Randy also did not detail if the black suit would give Peter Parker emo hair and cringey dance moves.
Jim Shooterโs response letter is dated August 3rd, 1982.
The Black Suit concept published in the October 1983 Issue of Comics Journal (Notice the red spider!)
Going back, news of the costume change hit the October 1983 issue of Comics Journal. It included a full character illustration in profile (The image, like the rest of the magazine’s interiors, was in black and white, but the accompanying article notes that Spider-Man will be “trading in his costume for a black-and-red one…“). This is the first proof of Randy Schuellerโs idea surfacing publicly. Complete with the red spider Randy mentioned in his 2007 response. And, finally, a few months later on January 31st, 1984Amazing Spider-Man #252 was released: the first published story featuring Spider-Man’s black costume. With the torso spider now inexplicably white. By this time, As Randy mentioned, the story was out of his hands and he was ghosted by Marvel Comics.
The 1st published appearance of the black suit: Amazing Spider-Man #252; January 31st, 1984
Randy Schuellerโs concept led to one of the most iconic story arcs in Spider-man history thatโs relevant to this very day. Yet he simply brushed greatnessโฆwith no credit received.
This tale is nothing new if youโre familiar with the industry of comic books. Theft and appropriate credit is something that the comic book industry has had trouble with since its inception and still has till this very day. Growing up, you may not be aware of the shadiness of it all. Instead youโre swept away through the escapades of Spider-man’s adventures, oblivious to the tangled web weaved behind-the-scenes. But, hopefully, if anythingโฆif this article can inform just one person about this case in particularโฆitโs worth writing.
Now Let’s Bring This All Back Home…Literally
If you know me, you know Spider-man is a character that means entirely too much to me. His stories have helped me through personal hardships and Iโve used him as a beacon to help others through their own peaks and valleys. Being a lifelong fan, Iโve followed this particular โcomic book urban legendโ as it broke back in 2007 and took note. Complete with Randy Schuellerโs letter saved on my computer. Because what was most surprising about all of this was Randyโs address typed on the response letter. He lived in my old neighborhood.
Only a couple miles from my own home.A building Iโve passed possibly hundreds of times. The apartmentwhere he wrote his โblack suitโ idea was on the block of the K-Mart I frequented. The very K-Mart where my Spider-man action figures, pajamas, and comic books were purchased from. Deeper you say? I distinctly remember buying the black suit Spider-man and Venom action figures there. Just a stoneโs throw away from where the original idea bubbled up! Of course, I had no idea at the time. Who the hell would?
To go even deeper, the apartment building is located off Harlem Avenueโฆbehind, what is now, a deli. But that deli used to be two businesses: an auto parts store and a used video game retailer. In high school, I used to regularly walk to that video game store to buy and sell many games, among them being several Spider-man video games ranging from awful (Return of the Sinister Six) to excellent (Activisionโs Spider-man). Being a peak comic geek in my high school days, Iโd often (proudly) wear my black symbiote Spider-man shirt. All while directly behind me were the humble beginnings of one of Spider-manโs most legendary storylines. Like J. Jonah Jameson realizing Peter Parker is Spider-manโฆit was completely unbeknownst to me.
Realizing this back in 2007, it’s safe to say my little nerd world was rocked. I immediately took a walk to the address just because I had to see it for myself. And I decided to visit it again for this very article! Might as well celebrate many anniversaries: 44 years since Randy Schueller sent in that fateful letter to Marvelโฆ40 years since the published debut of the black costumeโฆeven the 18th anniversary of me finding all this shit out. I stood, once more, where Spider-manโs black suit was inexplicably conjured. It wasnโt some space asteroid or Battleworld. Not even the Marvel bullpen. Instead it was 4319 N. Neva Ave of Norridge, Illinois. There isnโt a 12 foot bronze statue or โBirthplace of Spider-manโs Black Suitโ plaque, or even a pile of old Spider-man action figures surrounded by used candles. Thereโs nothing. Just another unremarkable block of dated Chicago apartment buildings. The K-martโs gone. The video game store is gone. And Iโd bet you a fun size 3 Musketeers that Randy Schueller hasnโt lived here in ages ( if he happens to read this I bet he thinks Iโm weird).
But like the black symbiote suit itself, it holds many past memories. Itโs really cool to unweave a bit of Spider-manโs treasured tangled webs leading to your own backyard. And I knew I was in the right spotโฆbecause Iโm pretty sure my spidersense did indeed tingle.
Itโs alive! This is my LiViNg journal of Halloween related activities Iโll be updating from October 1st to October 31st! Return every weekday to read my random seasonal ramblings and see what spooky nonsense Iโm up to!
The tail end of the Halloween season marched on for the past few days. Not as strongly as I wanted, but Iโll take it any way I can. We took a few days off work and headed down to the family household early to decorate for trick or treats. We weatherproofed some outdoor ambient lighting. Set up our blaring sound system and indoor lighting โnetworkโ. Spread cobwebs everywhere and jammed foam tombstones as deep as we could in the front yard. Ziptied plastic skeletons to various outdoor furniture. We ended the evening with dinner at a local dive bar with deliciously greasy food. The same as we did last year. Yet none of the patrons were in costume like the year prior.
Halloween felt subdued in our area. It could be because we spent the entire week prior out of state. It could be because many festivities were thrown the weekend before the actual holiday. But time seemed to just be flying by, even more so than usual, and it was a strange feeling to even be celebrating Halloween. It seemed to sneak up on us like some sort of supernatural horror movie slasher. And it went as quickly as it came. Halloween day was gray and aggressively blustery. We lost several tombstones to the wind in the early morning. A couple showers throughout the day made you feel a little more hopeless. I told myself that at least it wasnโt snowing like last year.
Trick or treating trickled in at 5 PM. Per tradition, I dressed as Michael Myers and stalked the yard silently; spooking those whoโd stop by. The streets had a solid amount of zombies, skeletons, Ninja Turtles, and princesses for the next couple hours. Yet it still seemed lighter than usual. The night came to an end. Another successful spooky Halloween in the books. By noon the next day, all the decor was back in its rightful storage place as if it never even happened. In retrospect, it almost felt like Halloween didnโt even happen. We didnโt even look at decorations through various neighborhoods or carve a pumpkin. And, if you lived in America, you certainly know that starting November 1st, everyone goes full Christmas. Completely burying any remanence of Halloween that came just 24 hours prior. But the beauty of the holidays is: thereโs always next year.
As I look forward to the coziness and warmth of the upcoming holidays, I always mourn the Halloween season. My personal favorite time of year. I already have some big changes in store for next season and I look forward to documenting them in next year’s Halloween Daily Blog. I hope everyone had a fun and safe Halloween season and you all carry some spookiness with you all year round. Thank you for reading andโฆ
October 28th:
Earlier this year I was digitally browsing decades old monster comic magazines for inspiration when I came across an ad for a mail away mask of this goonish-like mutant. I loved the ad and the mask and made a mental note to come back to it and see if I can track down the mask somewhere online. Long story short, I canโt find the ad and I tried to retrace my steps numerous times with no luck. The mask in question, as far as I recall, looked similar to this Beach Goon mask. Itโs not a dead ringer but I could see them being in the same family. When searching for this particular advertisement I came across The Monster Mask Catalog Archive which, while not what I was originally looking for, felt like I stumbled upon a goldmine regardless.
This archive features dozens of Halloween catalogs scanned in page by page at a solid resolution spanning decades. Itโs so fun to hypothetically pick what youโll be by browsing these decades old treasure troves of spooky delight. Besides scanning the choices offered from the 1960s and 1970s, I started browsing particular years from the late 1980s to the mid 1990s to see if Iโd dust off the cobwebs and drum up any personal memories of Halloween’s past. And I certainly did. I wrote previously about nostalgic recollections of Halloween found in local drugstores, as I found many of the costumes offered in these very archives. Possibly the first time seeing them since those days long ago. They appear in some of the Collegeville archives from 1992 and 1993. I recall thumbing through those weird vinyl โjumpsuitsโ of Superman, Batman, a Ninja Turtle, and Sonic the Hedgehog at my local drugstore. Taking in the weird plastic smell and wondering why all these characters had their logos and pictures of themselves on their chests.
There were also many deluxe latex Halloween masks I recall seeing in various front yard displays throughout my childhood. Interesting to see that these masks were quite expensive in their day and canโt help but think of the owners leaving these masks out in the unpredictable midwest weather every fall. Thereโs also many props, masks, and latex limbs I remember fearing as they were used in local haunted houses and โspook shedsโ at various pumpkin farms and haunts when I was younger. The Monster Mask Catalog Archive is an incredible resource if youโre into this niche. And if youโre here, I suppose you are. Browse the collection and put yourself back in those days of being a child and decide what youโd be for Halloween this year. Itโs time well spent!
October 20-27th:
A bit of a cop-out, I know. But as soon as my art reception was finished, my wife and I whisked off to a much needed vacation to the Catskill Mountains in New York. I wanted to dedicate my time to the present and be phone-free, so I decided to halt the blog posts for the time being.
In all honesty, I expected to return with individual updates of our various Halloween-related activities but, surprisingly, we didnโt find much to represent the spooky season in the northern mountains. In fact, we both noticed the severe lack of pumpkins where we were. We usually have our โgetawaysโ during the fall season as it’s our favorite time of year. And it is during those trips that weโll sample a spooky smattering of pumpkin farms, haunted houses/mazes, and ghost tours. Unfortunately nearly none were to be found amongst the Catskill Mountains.
We spotted some decently decorated houses throughout. Although the โoversized skeletonโ decor ran its course by house number 8. They were still few and far between. Talking to some locals, Halloween seemed to be a bit of an afterthought. Bartenders admitted to us that a couple โcostume partiesโ in nearby bars were a bust with little to nobody showing up. Listening to their local radio, when on the subject of Halloweenโฆit was talked down toโฆas if it was something childishly foolish to even think about celebrating. A town wide โtrick or treatโ was happening on a particular day we were walking the shops with only two trick or treaters spotted. We went on a ghost tour in Schenectady, yet even the tour guideโs cadence was โeh, whateverโ after every tale he told.
Sure, it was only a week spent in late October within a small sampling of New Yorkโฆso it would be dramatic and ignorant to declare โHalloween is dead!โ when regarding my opinion of that area. But, if anything, it made me realize how well the midwest embraces the Halloween season. Within about a 15 mile radius we have dozens of haunted attractions, pop-up stores, incredibly creative decorated houses, local dances/fairs/festivals, and a bunch of pumpkin farms within a 20-30 minute drive. And, understand, I always believed we couldโve done more. Count your blessings as they say.
It wasnโt all a spook-less bust though. We did have breakfast in a quaint old diner where the servers were discussing their journeys on purchasing their grandkids Halloween costumes. And a pirate themed bar where the owner told us was haunted by a mysterious woman. You canโt escape Halloween. It just may not always be a big bright orange jack oโlantern glowing right in your face.
October 19th:
My wife and I made a slight excursion on our way to New York to spend the night in historic Gettysburg, Pennsylvania. A town that absolutely embraces its haunted history in a way both good and bad. I had driven nearly 11 hours getting there and we were only spending the night so we were unfortunately on a bit of a time crunch; but we did stroll the downtown area, get some dinner, and go on a ghost tour.
Sachs covered bridge being the highlight. Built in 1852, used by both Confederate and Union forces during the Battle of Gettysburg, the bridge served as the execution site for at least three Southern soldiers, providing the backdrop for the supernatural activity said to take place there. Being a decent evening in October the bridge was quite crowded with activityโฆnot ghostly per seโฆbut with amatuer ghost hunters including a cringy young woman lighting candles to host a โseanceโ as Disturbed played through her bluetooth speaker. A real vibe killer.
There was a lot of firsthand knowledge of hauntings throughout the town of Gettysburg (rightfully so) supplemented by ghost tours taking place through multiple companies seemingly every 15 minutes. Take that how you will. We plan to revisit the town of Gettysburg much more thoroughly in the future, definitely not during the October season. The horrors that took place and lives ripped away all across that town is simply unfathomable. The American history there is tragically rich. Yet Gettysburg stands today bloated with hokey overpriced souvenir stores, ice cream parlors, medicorce restaurants and gimmicky ghost tours. The streets lined with an amalgorithm of tourists and locals treating it almost like some sort of warped Beale street/Magic Kingdom concoction. Tasteful? No. Disrespectful? Yes. Uniquely American? Indubitably.
October 18th:
I have my own art show the entire month of October at a wonderfully charming gallery in Ottawa Illinois called Openspace Art Gallery. Downtown Ottawa is such a hip cozy town. Itโs like something out of a Hallmark movie but more artsy and not as corny or redundant. Iโve been part of a solid amount of art shows. And Iโve been lucky enough to be a part of several art galleries. But this my first solo show. Which, if youโre an artist, is a big deal. It means 1. You have the AMOUNT of art pieces to fill an entire gallery and 2. The gallery owners (also artists) think your art is strong enough to dedicate an allotted time in their business to your art ONLY. So this show is all very inspiring, hopefully to others as well, as I always want to evolve and grow as an artist.
The reception was held tonight. We had a great turnout complete with pumpkin cookies, spooky art, and a full moon. The two hours absolutely flew by and I felt so privileged for everyone that came.
I create my art because I need to. Financial gain and trends are never a driving force. Growth is. Every piece is a challenge because it needs to be. Yet despite all that inner turmoil, if my artwork makes someone decide to pick up a pencil and draw something thatโs been in their head the past few daysโฆthen that makes it all of this worth it. To submit to that cycle of inspiration. And let creators create in their own way. You donโt need hashtags, followers, and blue check marks to be an accomplished artist.
October 17th:
About 6 years ago I was on Youtube rifling through various โlo-fi hip hopโ and VHS filtered โsynthwaveโ livestreams when I found something even more chill with nearly every type of niche represented: the endless world of Ambiance Videos. Calm and relaxing, ambiance videos are meant to be supplementalโฆto set the modeโฆfeed a vibe. Like a larger, more creative sequel to those endless โburning yuletide logsโ. Itโs something you put on in order to do something else. Obviously with the Halloween season being here, I compiled a few of my favorite โspookyโ ambience videos for your consideration:
Sitting On The Porch On Halloween Night: Crickets, rustling leaves, and fall inspired oldies music playing from another room. A basic standby when it comes to Halloween ambience perhapsโฆbut for good reason. Hereโs a similar one for good measure.
1980s Halloween Channel Surfing: Another nostalgically creative ambience video. The full moon shines on a humble spookily decorated living room complete with 80s era technology. Complete with a television playing all things horror from that era at a low volume. This video plays the complete classic Night of the Living Dead with classic Halloween commercials scattered in between.
Great Pumpkin Ambience and Music: Just discovered this one. As simple and lowkey as a Peanuts cartoon. The classic pumpkin patch fills your screen with the sound of wind, leaves, and (most importantly) the warm chill Peanuts music by Vince Guaraldi. So relaxing.
Halloween 4 Neighborhood Ambience: This one is an example of those niches you can find when delving into the world of ambience. For whatever reason, I think Halloween 4: The Return of Michael Myers is the coziest of the Halloween movies that really captures the vibe of small midwest Halloween. This video is just 90 minutes of Haddonfield on Halloween night โ88 with the sound of wind, owls, crickets, and passing trick or treaters.
Beetlejuice In The Attic: This one is so well done and creative I had to include it. Itโs Danny Elfmanโs score to Tim Burtonโs Beetlejuice but it all takes place from the atticโs perspective. The time of day changes. The tv flickers on. The wall opens. The model of the town reacts accordingly. It plays Harry Belafontโs calypso music. Itโs like if you want to experience Beetlejuice without having to follow plot and dialogue. Strange and unusual? Yes but I myself am strangeโฆand unusual.
These are cozy to play when eating a fall inspired meal, decorating your home for Halloween, or even reading for a bit. Nothing too distracting or loud, just a different vibe for a specific environment. Thereโs so many types of ambient videos out there by such talented creators that, with a little searching, youโll undoubtedly be able to find your โvibeโ.
October 16th:
Tonight I finally got to see 1941โs The Wolf Man on the big screen.
I say โfinallyโ because the Wolf Man is my favorite Universal Studios monster and even though those films are considered horror classics, itโs still tough to track down a local screening; with your best chance being during the Halloween season. Iโve been lucky enough to see Dracula, Frankenstein, The Bride of Frankenstein and The Creature From The Black Lagoon (in 3D!) at some historic Chicago theaters. Yet the Wolf Man always eluded me.
The Universal Monsters still bring in a crowd. Over 80 years later, The Wolf Man dragged in monster fans of all ages. The theater had a table in the lobby showcasing a local artistโs classic monster model kits assembled and painted. Live organ music played before the show. And a spooky Betty Boop and Three Stooges short accompanied the feature. An absolutely classic night at the movies in every way possible (except the prices).
Personally, I believe Halloween is a holiday most linked with movies. One can argue Christmas, yes, but Halloweenโs entire image is shaped after horror films and spooky movies. Christmas films are based around the holidayโs traditions and the films themselves pop up during the season. The Horror genre is present all year and (if big enough) influences the Halloween season through decor, costumes, haunted houses, and music. Creating fresh traditions; adding to the lifeblood of the spooky season.
Speaking of movies, my bucket list classics left to see on the big screen would probably be Abbot and Costello Meet Frankenstein, The Mummy, and (a personal favorite) The Invisible Man.
October 15th:
1982โs Creepshow is a bloated forgettable slog of a movie.
There I finally said it.
Horror anthology movies have always been a mixed bag in my opinion. Which is the allure of them I suppose. Several short spooky stories tied together as a feature length film is as โhorrorโ as it gets, dating back to the spooky comic titles of the 1950s like Tales From The Crypt or Vault of Horror. Several scary stories for the price of one! Itโs a subgenre that has had a resurgence over the years with such movies like V/H/S, Trick Or Treat, and All Hallowโs Eve.
Amongst the horror community, Creepshow has gotten a lot of positive attention the past decade or so. And how can it not? Itโs an 80s horror film written by Stephen King, directed by George Romero, with Tom Saviniโs makeup effects and wrapped up with a comic book presentation. The movie was a big hit in its day too, spinning off a sequel and the Tales From The Darkside television series. But despite all the talent and style involved I still think the movie is a forgettable swollen corpse.
The acting is goofy and over-the-top as it should be. The comic book styling is fantastic. The vibrant lighting and illustrated overlay effects and framing does make it feel like itโs a slimy horror comic come to life. And, with that, I expect the stories presented to be tacky, heavy handed, even predictable in nature. But, even then, each story runs far too long. Bloated with unnecessary details and exposition that add nothing to a plot in which an 8 year old knows the direction weโre headed.
“The Lonesome Death of Jordy Verrill”is my personal favorite of the stories presented. And thatโs because Stephen Kingโs acting is so incredibly goofy yet innocent that he keeps your attention. And this short story moves at a good pace with a โless is moreโ humorous direction.
“Something to Tide You Over” is a distant second. Interesting premise. But you can easily shave about 30% off its runtime and it would flow much better.
Creepshow doesnโt have the cleverness of The Twilight Zone (or even Night Gallery) that came before it. Nor does it have the briskness and impact of Tales From The Crypt. All these brilliant minds of horror came together and showed me that they have a hell of a style and solid premiseโฆbut when it comes to executionโฆit made me want to put on a better anthology film. Iโd recommend 1993โs Body Bags or even Creepshow 2.
October 14th:
I wrapped up casually reading this yearโs edition of Archieโs Halloween Special.
The only comic book subscriptions Iโve ever had were Daredevil and Archie.
The comic books I read month to month were dark, dramatic, high stake episodic adventures. Kinda the point of comics, right? But sometimes the dark dank rainy streets of Hellโs Kitchen and Gotham become a burden. Thatโs when the sight of light, nostalgic, sunny Riverdale came along. Nearly 200 pages of Archie and his palsโ wholesome antics put together in a pocket sized digest. Archie was my โgo-toโ book whenever I had some downtime on the go. Nowadays I usually only pick up the Halloween and Christmas special as theyโre the coziest and really cast the seasonal mood.
Inside consists of some new Halloween comic strips compiled with classic ones from the 70+ years of Archie comics publication archives. Whatโs great about these comics is the changing of art styles (especially fashion) throughout a comic digest. The Archie gang were always stylish for the time, so they were drawn that way. I love playing the game where you can spot saddle shoes and poodle skirts to bell bottoms and beetle boots to rolled up jacket sleeves and shoulder pads. Youโre seeing Halloween through the ages. Reading a comic that perhaps some elderly person in the retirement home read when they purchased it for a dime at the corner drugstore.
As the cover says, this is โThe Official Comic Book of Halloweenโ and thatโs true as far as Iโm concerned. Next time youโre in your grocery store or drugstore take a look to see if they still carry Archie Comics (theyโre usually at the checkout). Itโs a great spooky indulgence this time of year.
October 12th and 13th:
Iโm sharing 2 different recent sets of General Mills monster cereal mascot prizes that Iโm sure you all know: Count Chocula, Frankenberry, Boo Berry, and Frute Brute. Yummy Mummy inexplicably absent. For shame! The 3 smaller figures were offered individually as a prize in General Mills cereal boxes back in October of 2021. They had 6 of their โCereal Squadโ mascots dressed in Halloween costumes PLUS the famed monsters. Apparently the chance of you pulling these monsters out of your sugary box ranged from โvery rareโ to โultra rareโ. I didnโt partake in this promotion because I rarely eat cereal. Today, these figures go for around $15 to $20 a monster on eBay. I acquired these earlier this year stumbling upon an eBay listing riddled with spelling errors and poor keywords. $12 for all 3 monsters. And I didnโt have to devour multiple boxes of sugary byproduct!
The second set (taller with solid colors) was won from a promotion that ran in October of 2022. The back of the seasonal Monster cereal boxes had unique codes to enter through a website; in which winners were drawn at random. The winner would receive a set of 4 of the figures pictured (โredesignedโ by the โartistโ KAWS). Not only did I find out you could enter once a day; but I also found out they were giving out A LOT of these sets of figures; AND a single code you enter is good for every daily entry. So I figured with some determination and luck on my side, Iโd give it the โol college try. I entered 3 times a day; under 3 different e-mail addresses; 7 days a week. After about 5 weeks of doing thisโฆI received an email that I had won and received them about 2 weeks later in the mail. This set goes for about $14 on eBay. Thatโs a little over $3 a figure. Cheap? Yes. But I won these. These monsters are mine. And nobody can take that away from me.
October 11th:
Tonight Iโm recommending THE SUPERMAN MONSTER a one shot comic book released in October 1999 from DC Comics. As the title suggests, itโs an elseworlds tale stitching together the legend of Superman and Frankenstein creating a familiar and spooky super story.
This was a follow up to 1998โs similar oneshot Batman: Two Faces which was a tale taking pages from Dr. Jekyll and Mr. Hyde with Bruce Wayne being both crime fightinโ Batman and anarchistic serial killer The Joker; all while hunting down Two Face in Victorian-era Gotham City. After the story of Batman: Two Faces; The Superman Monster is unfolded by Daily Planet Editor-In-Chief Perry White toCommissioner Gordon over drinks at the Iceberg Lounge. The story takes on the familiar beats of the Frankenstein story with enough Superman lore to make it a title worth remembering for fans of either character. With mad scientist โViktorโ Luthor discovering the deceased alien remains of an infant; Using the strange โSโ crest as a breastplate and electoral conductor; the โSuperman Monsterโ wearing the black โrevival suitโ; The super powers causing The Monster to behave erratically to his โrebirthโ; Stumbling upon the โKentโโs farm as a way for The Monster to learn humanity; Eloise (Lois) serving as the eventual โbrideโ; and the โmadโ Luthor searching for The Monster whereabouts in what he calls a โfortress of solitudeโ; the book was familiar, clever, and entertaining all within the span of 52 pages. I recommend reading it by Jack Oโlantern light and sipping hot cider. The Superman Monster is written by Dan Abnett and Andy Lanning with artwork by Anthony Williams, Tom Palmer, and Lee Loughridge.
October 10th:
Tonight was a creepy cartoon cavalcade of animated Halloween treats.
Thereโs 1985โs Garfieldโs Halloween Adventure. My personal classic that I included last year in my Daily Halloween blog. It aired alongside The Great Pumpkin for 14 years in a row before it was abruptly stopped in 1999. I still recommend Garfieldโs Halloween Adventure; especially if you have young kids and want something safe yet spooky for them to watch.
Disneyโs adaptation of Washington Irvingโs classic tale: The Legend of Sleepy Hollow. Cozy and classic, Bing Crosby narrates (and sings) the story of Ichabod Crane and his run-in with the legend of the Headless Horseman. Released in 1949, this is some peak Walt Disney animation and production. With every background being a work of art and Ichabodโs movement/expressions being downright hilarious.
A special that needs no introduction is It’s the Great Pumpkin, Charlie Brown broadcasted in 1966. The special’s enduring popularity helped define Halloween for baby boomers and contributed to the spread of Halloween as a widely celebrated holiday.โ Its viewing has since been established as a common Halloween tradition and its 2003 rebroadcast was the most successful holiday special of the 2000s with 13.2 million viewers. Since 2020 the Peanuts specials are all streaming โexclusivesโ on Apple TV. Completely ruining its broadcast legacy and causing millions who are incapable of dealing with all these different app and streaming nonsense to not see it. Good grief.
Finally, we finished with The Simpsons: Treehouse of Horror V originally broadcasted in 1994. The Simpsonโs fifth Halloween special. This episode, in particular, is known for its adaption of โThe Shiningโ and the late James Earl Jones briefly voicing Maggie. This is the first time Iโve added a Simpsons anything to a holiday list as I donโt know anyone besides myself who enjoys The Simpsons. Itโs interesting that the show is so clearly revered by so many; yet whenever Iโd bring up The Simpsons Iโd get shut down quicker than an axe to the back of Groundskeeper Willie. Therefore, the act of enjoying The Simpsons has sort of become something I do in solitude. A love all for myself I suppose.
October 9th:
The Blowmold Blues
Do any Halloween-heads out there actually prefer the loud goofy inflatable lawn decorations over the bright glowing sturdy blow molds of yesteryear? Have you ever driven around your neighborhood and seen front lawns littered with colorful trash bags but realize itโs all those inflatable decorations sleeping on the job? Itโs tacky and garish. And even though those two adjectives may seem appropriate for Halloween, those decorations defile it in a negative way.
Of course, those were the same thoughts back when it came to blow molds. Those charming plastic figures that give a warm glow come Halloween and Christmas. Theyโre called โblow moldsโ due to the method used to make them: melted plastic is blown into a mold. They were produced as early as the 1940s, but didnโt really catch on until the late 1950s(made popular by such companies as Union and Empire plastics) and were yard staples through the 1990s. You can still find some out and about today. Problem is many have stopped being produced, which means their value goes up, and nostalgia sets in. Suddenly that 36 year old Jack Oโlantern blow mold that lights up your porch is going for $150 in used condition at an antique store. Your โol Halloween standby is now a collectible!
I get it, styles changeโฆcompanies closeโฆthatโs why lawns are now littered with what looks like humming inflatable circuses. In 30 years, will people be nostalgic for those? Will there be an antique store with an inflatable minion dressed as a vampire that only partially inflates for $200? Only time will tell. I still enjoy spotting classic blow molds in their natural habitat when I drive through neighborhoods looking at Halloween decorations. Its become a rare but cozy fall feeling. In my youth, Iโd say seeing a blow mold displayed in a front yard amongst the decorations was extremely common during the holidays. So much so that they were completely unremarkable. Now if one out of every six decorated houses has one, its become a sight to behold. A relic from your past illuminating the night.
Trivia: Did you know the classic lawn Pink Flamingo was the first blow mold produced?
October 8th:
Halloween time is that special time of year for all the horror-heads to hit their blogs, vlogs, and social media to talk about the most underrated and overrated horror movies with opinions that will just shock you! Forget over and underโฆwhat about just rated?
For that, folks, I give you our movie of the evening: 1990โs Arachnophobia.
Arachnophobia is a perfectly serviceable movie. It works even better if you donโt like spiders. The director Frank Marshall does a fine job. Jeff Daniels leads a cast that does an adequate job. The cinematography and music is acceptable. The practical effects are satisfactory. Arachnophobia simplyisnโt risky enough in any way for the modern internet age to crown it โunderratedโ or slap the tired title of a โhidden gemโ on it. Itโs sufficient. And thatโs okay.
I used to watch this movie here and there as a child. It had enough grossness and playful demeanor to keep me entertained. I kinda equated the tone to Gremlins; meaning it was light and humorous yet with serious repercussions. I decided to watch it last night because my wife hates spiders (how original) and this movie was made for people like that, right? Rewatching it from beginning to end for the first time in (nearly) 30 years, I realized how going โbigโ in horror isnโt always a benefit. The plot of Arachnophobia is as grounded and small as the spiders themselves. The horror mostly comes from the situations you wouldnโt want a spider involved in (thereโs a spider in my shower; in my slipper; in my food) but itโs not over-the-top and garish. Throughout the film, I couldnโt help but think how diluted this movie would be with the modern use of CGI.
There isnโt a dog sized spider in the final act that webs up the loved ones and townspeople. The spiders donโt โtalkโ. The spiders donโt have green mucus oozing from their fangs. Nobody gets covered head to toe in a โblanketโ of spiders. The โinvasionโ of these spiders doesnโt even involve anyone outside this small country town. So I appreciated the grounded take on all this. Hereโs some regular sized spiders in a small town that have super toxic venom. Watch the f*uck out.
Arachnophobia isnโt overrated or underrated. Itโs just rated. And after you finish watching it, youโll probably be checking your walls more carefully, be more suspicious of any itch on your body, and check under your covers before going to sleep that night. That’s effective filmmaking. So itโs a win in my book.
October 7th:
As more Star Wars projects get made, Iโve come to terms that I do not like a majority of Star Wars. That being said, I am still passionately enthralled with a very select time frame within itโฆand Iโve stayed within that bubble to appreciate Star Wars again and, in my opinion, how itโs meant to be. Thatโs the beauty of the lore within the galaxy. I recently (and finally) beat 2002โs Star Wars: Bounty Hunter. Itโs an action title focusing on Jango Fettโs peak bounty hunting adventures that served as a โprequelโ to Episode II: Attack of The Clones. Why am I talking about a 22 year old Star Wars video game in a Halloween blog? Well, because the final mission takes place on, essentially, a cemetery planet. And itโs some classic transylvanian horror spookage.
The level takes place on Kohlma, which is nicknamed The Moon of the Dead because of a deadly war where the entire moon became a memorial tomb for the fallen. Since youโre playing as Jango Fett, youโre there to eliminate Komari Vosaโฆa force sensitive cult leader of the โBando Goraโ who created an army of drug addicted husks to be mindless assassins and slaves. Evil stuff, right? The silent โBando Goraโ assassins look like mummified remains with glowing red eyes. Some donning the skulls of a ram-like creatures. And the level itself looks like something out of Castlevania and a Hammer horror film. The darkness of night, thick fog as you explore crypts, coffins, and obelisks. Large bat-like creatures hover above. You traverse to, what I can only describe as, Draculaโs castle through the eyes of Ralph Mcquarrie.
I donโt think thereโs a โHalloweenโ in the Star Wars universe, but this particular level had to be one of the first interactive fully realized โhorrorโ environments established in Star Wars media. Evil cults, mysterious castles, dark โmagicโ, fog, cemeteries, crypts, bats, and skeletons. The final level of 2002โs Star Wars: Bounty Hunter is a little spooky space morsel to be had this Halloween season. And, fancy that, it was just remastered for modern consoles a couple months back.
October 5th and 6th:
The above image is a picture I took Saturday morning of White Cemetery near Barrington, Illinois. Itโs claimed to be one of the most haunted cemeteries in Illinois and often gets mentioned alongside Bachelors Grove (one of the supposed most haunted cemeteries in the entire country). I finally got to venture inside it as it was part of a 7 hour ghost tour my wife and I were on.
You read that right: a 7 hour ghost tour.
Iโm not sure if the average joe even thinks about going on ghost tours, but my wife and I always hit up at least one when weโre visiting a new state and try to find many local to us within a reasonable distance. Weโve done quite a bitโฆbut this was certainly the longest one by far. White Cemetery is located on historic Cuba road, which in all is legendarily haunted if youโre familiar with anything spooky in the midwest. Disappearing gangsters, spirit โlightsโ, phantom cars, and burning mansions are just a select few of the bullet list of the bizarre when it comes to Cuba road. The tour was also more than just a single cemetery (for 7 hours it better be) as we ventured to the โDevilโs Gateโ of Libertyville, Vincent Priceโs childhood home, the shady Mineola Hotel, and alsoโฆwellโฆa few more cemeteries. White Cemetery is a place I ventured with friends multiple times in my youth during the Halloween season. We were only ever able to drive past it due to heavy surveillance and even multiple parked police cruisers. Even today, management showed up in less than 10 minutes of us being in the cemetery. Itโs interesting because my wife and I both trespassed into world renowned Bachelors Grove Cemetery after dark and spent all the time we wanted there with no trouble.
The Mineola Hotel on Fox Lake built in 1888.
If youโve never taken a ghost tour before and youโre into the paranormal and (most importantly) history, Iโd strongly suggest taking one because โtis the season. Not to mention most of these tours are small businesses run by a handful of spooky passionate people. On top of the history and lore it’s always interesting to hear how your guides ended up here and what hobbies they’re into. I think a lot of people seem to believe ghost tours are akin to some sort of โhaunted houseโ walkthrough. As if itโs something childish or hokey when the reality is theyโre essentially history tours that focus on death and darker elements guided by people who are truly passionate about it. And I love hearing people talk about what they’re passionate about.
October 4th:
Riding that Goosebumps high from last week, we decided to watch The Haunted Mask II tonight. Being a Goosebumps reader back when they were first released, I was aware there was a sequel novel, but had no idea it was adapted into 2 episodes of the Goosebumps television series. I hadnโt read the book so I had no idea what this Haunted Mask entailed; other than I didnโt like the mask design as much as the first. This episode was released nearly a year-to-the-day after the original (October 29th 1996) and the brief episode description laid out that one of the kid bullies from the previous tale got their hands on a haunted mask. Sounded enticing, as wearing the mask makes you an angry little shit as we saw with the first wholesome kid putting it on. So a mean spirited bully wearing it would mean an even more intense scary story, right?
No. Not really.
All the original kids were back for this one. Even the old spooky shop owner and parents. One of the bullies from the first one, Steve, got his hands on another haunted mask in which he was turned into a feeble old man. He said โboo!โ to a couple kids at first, threw a small pumpkin at the front door of a house, then just got really tiredโฆconfusedโฆthirstyโฆand wandered aimlessly around the neighborhood asking for a glass of water. Although the first Haunted Mask was a bit humorous due to some acting, effects, and plot issuesโฆit was still effective especially for a child. Which is the whole point of the Goosebumps stories.
But Haunted Mask II wasnโt effective and I found myself laughing out loud often. This kid put on this grotesque mask and, after a couple minor inconveniences, acted like an elderly man. What I also found baffling was the amount of adults and kids in the neighborhood that reached out to help what they thought was a confused senior citizen; even though he flat out looked like a melting goblin. Is R.L. Stine pro agism? Do all elderly people look like monsters to him and this is how heโs expressing his prejudice?
Iโd still say give this a watch as itโs entertaining in a different way from its predecessor. Afterall, I don’t think time can be wasting on a Goosebumps episode.
October 3rd:
Tonight we took a shot in the dark with 1976โs Kenny and Company. A movie not really forgotten because I donโt believe it was ever remembered in the first place. I was drawn to it as I was looking into the films of Don Coscarelli (of 1979โs Phantasm fame) and it involves a bunch of familiar names and faces if youโre a fan of the Phantasm horror film series. Kenny and Company is about nothing in particular and everything in general. Itโs a slow, low key โslice of lifeโ film about a 12 year old boy just living life in the 1970s. Thatโs literally it. Thereโs really no beginning or end. The film takes place covering some antics a few days leading to Halloween night.
Youโll see them go to school. Ride their bicycles. Work on their costumes. Skateboard and build a soapbox racer. Talk about girls and dying. Take on a bully. Go to a birthday party. All leading to their Halloween night of trick or treating. Itโs like a stream of consciousness. But what I enjoyed about it is there was no rose tinted glasses or โnostalgia-baitโ like so many attempts at the โthrowbackโ entertainment of today. Itโs a very genuine movie with great insight into those โgood โol daysโ as they took place. Not because thatโs what they set out to do; but because it became sort of a time capsule with a thin narrative to string you along. I imagine the adults that were kids of this era would really get a kick out of this film.
It has a great cozy fall vibe throughout with plenty of classic Halloween decorations and just a careless innocence that canโt help but make you smileโฆeven if you might doze off before it ends.
Finally was able to dust off the bin from our dusty crypt of a basement and get some decorating done to the โol homestead. I donโt go overboard when it comes to decorating. Everyone has their own style and presentation. I aim for a quick setup and (eventual) take down. A single bin to pack up and store. Afterall I need to drag it up/down 6 staircases (including a tight winding one into the dark basement). We rarely get visitors and weโre often gone. So the decorations are for my wife and I only.
The final implementation is always a freshly carved Jack OโLantern. And that comes later in the season. Speaking of jack Oโlanterns, a new addition to our decorating lineup this year are some pumpkin streamers from the mid 1990s my wife found at a thrift store earlier this year. They have a fun nostalgic โclassroomโ Halloween vibe that I appreciate. Of course, part of decorating for me is also having the appropriate snacks throughout the season. Apple cider to sip on, apple cider donuts to snack on, plenty of โfun sizeโ Halloween candy to munch. Weโre not big on โpumpkin spiceโ, although Iโll usually get a pumpkin iced coffee out of Halloween civic duty. And, of course, a monster cereal proudly displayed above the fridge. Yโknow, for posterity.
October 1st:
I was visiting a Spirit Halloween over the weekend when, in their mask section, displayed prominently was a single โHaunted Maskโ as it appeared in the legendary Goosebumps episode. It was instantly recognizable, yet it took me a couple seconds to think why. Goosebumps, while fondly remembered, isnโt something Iโve really revisited (in book or television form). Yet when grabbing the mask off the peg, a wave of familiarity rushed over me. From the faded frightening look to the thin rubber feel. I even quipped โThereโs only a single mask here, just like in the show!โ Crazy how you remember such things, even though it has been decades since Iโve watched it.
The mask, haunting my thoughts since the day prior, caused me to seek out the famed Goosebumps two parter; leading to my wife and I (un)officially kicking off the Halloween season with a viewing. Although my wife is absolutely sheltered when it comes to pop culture in most general formsโฆshe actually was a big Goosebumps fan and knew this particular story well. The Haunted Mask may be one of Goosebumps most popular tales of terror and for good reason. Despite the cringey acting and dated effects (thatโs often the charm when it comes to horror anyway) itโs still an effective and downright spooky story. Afterall, a monster mask that grows on your face during a foggy Halloween night could only get more seasonal if candy corn shot out of your nose and your ass played Monster Mash. โThe Haunted Maskโ gets a strong recommendation for any age. Even though, as an adult, the scariest thing about it are the lines carelessly delivered from the oddly awkward human husk that is R.L. Stine.
I was partaking in the mundane task of grocery shopping when something perked me out of my catatonic state of routine disinterest: right there in the middle of the dairy section was a themed display stocked with Keebler Beetlejuice cookies.
A bevy of thoughts immediately entered my head all at once. Like when the Three Stooges all try to walk through a door together. Being late July, I assumed I stumbled upon a โmuch-too-earlyโ Halloween tie-in, as the same grocery store already had a few Halloween items stocked in their seasonal aisle. My second thought was โWhy does it say Beetlejuice Beetlejuice everywhere?โ
It mustโve been the work of the invisible waves of brain fog pumped throughout the grocery store, but these Keebler cookies gave me a proverbial fudge striped slap as I realized, โOh, shit, thereโs a Beetlejuice sequel coming out soon!โIโd like to think I was the first person to mutter that sentence in that particular Jewel-Osco. And for the rest of my grocery store trip, I began to not only unpack the fact that a sequel to Beetlejuice is soon to be released but to also realize, when you think about it too much, how downrightbizarreall this is.
The cookies. The Beetlejuice. The sequel. All of it.
How did they NOT go with “The Ghost with the Host-ess“?!
Weโve been living in โThe Digital Ageโ for a while now. And the COVID pandemic completely spiraled movie marketing and theater releases into an absolute flaming tailspin. โBlockbusterโ movie releases are seemingly gone and so goes the over-the-top marketing that accompanied them: Billboards, cereals, soundtracks, collector cups, fast food, toys, video games, commercials, and giveaways. So much of the movie experience is digital nowadaysโฆfrom your ticket to your rental and maybe even your purchase of the film itself.
Was all that bygone promotional buildup ultimately unneeded consumeristic excess? Of course it was. Did it make a filmโs release a bit more of a special event? Of course it did. Yet suddenly, right there physically in front of me, were Beetlejuice cookies. Remnants of a bygone era forced into irrelevance now being driven by a ghost who hasnโt seen a movie theater since 1988. A dead art promoting a dead art. With one side literally being about the dead. Itโs all so ghoulishly ironic!
Personally, I canโt think of a point in my life not knowing of Beetlejuice. I retain the memory of losing the head of my Beetlejuice action figure in my local Mcdonaldโs ball pit. Or the time my psychopathic Aunt deserted me in a Funcoland store while playing the Beetlejuice Nintendo game. Or those tranquil afternoons sitting on my grandparents couch slyly grinning when an episode of the Beetlejuice cartoon came on. That intro was like dropping acid at an Oingo Boingo concert.
Would legit fist bump when this hit the screen…
But Beetlejuice became a buried relic of childhood and thatโs where he stayed. It wasnโt until 20 plus years later when on the topic of Beetlejuice (which can be a very rare thing depending on your particular friend circles) made me realize I wanted to rewatch it through my now world-weary-constantly-exhausted adult eyes. So I did. And I thought it was really weird.
I sat during the credits piecing together the resounding mainstream success this particular film had. And it perplexed me on every level. I can see Beetlejuice alongside, say, HeathersโฆThe โBurbsโฆThe Frighteners. Known to some degreeโฆappreciated by a specific demographicโฆbut far from iconic or quintessential. And surely not have its history of marketability especially towards kids. Beetlejuice is a downright bizarre movie. The subject matter is incredibly dark and tragic. Yet the โspiritโ of the movie is so playful and alluring. Itโs like a devastating funeral being presented by a Ringling Bros. circus.
So how did it get here? Beetlejuice was an odd duck from the beginning. The story and screenplay is credited between 3 writers that (at the time) only had 2 writing credits between them: a single episode of the 80โs reboot of Alfred Hitchcock Presents and an episode of Amazing Tales. Of course, as we all may know, the director of this film is Tim Burton who, at this point, only had one feature length theatrical film to his name: Pee Weeโs Big Adventure.
Pictured: Director Tim Burton (Left) Asking Michael Keaton (Right) if he’d “be down again for this bullshit” in 36 years.
Many cast members had to be convinced multiple times to sign onto the movieโฆmany thinking it was โtoo weirdโ. There were no major stars attached to the film. Alec Baldwin and Geena Davis, who played the main characters of The Maitlands, were bit players in a few television series. โBetelgeuseโ himself played by Michael Keaton had some theatrical comedies to his name. Yet despite being the most marketable and playing the titular character, Beetlejuice has less than 15 minutes of screentime. With 90% of his lines ad-libbed by Keaton himself.
It all spells disaster on paper, but Beetlejuice made about 5 times its budget back at the box office. Weโre talking about it 36 years later and a sequel comes out in a few weeks. The character is nothing short of iconic within western popular culture. Spit from an era that put Rambo, Robocop, and Freddy Krueger alongside the Smurfs, Thundercats, and DucktalesโฆI suppose the crude morbidness was never a question when aiming โThe Ghost with the Mostโ at kids. He is kinda like Casperโs deadbeat uncle afterall.
But, just for my sake, Iโd like to break down a few facts here:
First of all: Beetlejuice. Excuse me? Thatโs the titular name of a character. Heโs a slimy conman poltergeist named Beetlejuice. Yet, in the film, itโs spelled โBetelgeuseโ. I assume that is his โrealโ last name. He killed himself; meaning he was a mortal at one point. Why the heck is that his name? Itโs not presented as a nickname. It isnโt established that anyone else in the afterlife has names like that. Itโs completely unique, off putting, and strange. And why do you have to say his name 3 times to summon him? Such an interestingly wistful way of establishing his โlegendโ. The whole less-is-more lore establishing Betelgeuse is pure โoutside the boxโ fictional magic. There isnโt a character like him. Thatโs why he was in a movie for 14 minutes 36 years ago and we still remember him.
*Honk* *Honk*
Second: Beetlejuice is a villainous-pervert-scumbag. Heโs not misunderstood. Heโs not even an โanti-heroโ. Heโs a crude and morbid monster. He instinctively preys on the naive well meaning Maitlands the moment he sets his undead eyes on them. Reeling them into his long con: Which we learn is to marry a woman; which would allow him to cause chaos in the mortal world. We learn he became how we know him via suicide. He looks up Barbaraโs skirt and parties with undead demon whores. He drops an โf-bombโ and honks his groin in a PG movie. When first summoned he intended to kill Lydiaโs Father, Charles. And Iโm pretty sure he kills the Dean couple via his โTest of Strengthโ. Oh and he tries to marry a 16 year old girl against her will. A 16 year old girl who plans on killing herself because she likes ghosts more than her family. Did I mention it’s a PG family film? Betelgeuse doesnโt have a story arc or any redeeming qualities. Heโs a problem. Heโs an anarchistic predator. And he should never be given attention.
Iโd like to remind you thatBeetlejuice had a toyline, childrenโs cartoon, fast food meal, Nintendo game, theme park show, hit Broadway musical, and was a Build-A-Bear.
I can only liken the admirability of Beetlejuice to that of The Joker. A maniacal theatrical character whose sole purpose is to cause chaos. Yet, despite the murder and fiendishness, The Joker is relentlessly revered within pop culture. To link these characters even tighter: Jack Nicholsonโs Joker eclipsed pop culture the following year in Tim Burtonโs Batman starring Beetlejuice himself: Michael Keaton. In fact, Burton ditched a Beetlejuice sequel for 1989โs Batman. It was the 1992 sequel, Batman Returns, when the studio ditched Burton. Why? Parents felt the film was too inappropriate to be coupled with a kids meal. To appease the mob, the Happy Meal promotion was recalled creating a ripple effect on the marketing of Batman Returns leading to it underperforming at the box office.
Yet, two years prior, there were Beetlejuice kids meals at Burger King. Beetlejuice: the suicidal pervy conman whose goal is to wreak havoc via prearranged child marriage. Stick โem in a greasy burger bag, boys! Weโre good to go!
Yes, the file name for this image is BK_BJ. No, we do not go there.
If Beetlejuice taught me anything, itโs that if youโre funny and charismaticโฆyou can get away with literally anything. A character forged in Hollywood. Thereโs another layer of ghoulish irony.
Although this article may sound down-on-the-juice, I am a lifelong pro-juicer. Iโve had friendships tightened over Beetlejuice quotes. I have fond childhood memories of the cartoon and cherishing my Beetlejuice action figure. Iโve fought, daily, the impulse to purchase the illuminated โBetelgeuseโ arrow sign and install it above my desk. It’s only as I got older and truly examined the entertainment I grew up on that I realized the dark macabre reality of it. And I didnโt need some 6 part controversial streaming documentary to tell me. Beetlejuice, like the character himself, unabashedly flaunts it for all to see. Perhaps our whole lives are a dark room afterall.
And whatโs just as strange as the journey and story of Beetlejuice is the fact that weโre getting a sequel. Sequels are rarely necessary. And, with recent films released over the past decade or so, Iโve come to the conclusion that movies arenโt even necessary anymore. Over 20 years ago I remember reading about the scrapped Beetlejuice Goes Hawaiian sequel and breathing a sigh of relief. And, while I canโt speak for all fans, Iโve always felt content with Beetlejuice, his world, and his story. He was in a rare position being an 80โs relic whose corpse wasnโt raided by modern braindead Hollywood executives. But, like Otho lookinโ for a buck, they decided to call his name 3 times once again. And, just like The Maitlands, I am fearful and nervous for it.
When it comes to storytelling, I feel โless-is-moreโ. The genius of the character is not only Keatonโs manic charismatic performance, but the simple fact that heโs not even in his own movie much. Is more screen time for Beetlejuice a good thing? And with more screen time, you shouldnโt lean into some sort of sappy or tragic backstory for Beetlejuiceโฆor any backstory at all. The title: Beetlejuice Beetlejuice, leads me to believe this is going to be a trilogy. With the third being called Beetlejuice Beetlejuice Beetlejuice “finishing” off the character. But is he someone redeemable enough to โRest In Peaceโ? Or will he simply need to be defeated again during yet another supernatural con? Better yet: do we even care enough? Just because we could, do we ever stop to think if we should?
Pictured:Literally Me Sitting in the Theater September 6th
The recent cultural shift in America has had many claiming: โYou couldnโt make a movie like this todayโ when it comes to many films of yesteryear. A tired yet true observation. And I believe it couldnโt be truer for Beetlejuice. A crude offensive politically incorrect bio-exorcist in a film fueled by death, murder, suicide, and horror violence marketed for da kids. A family outing. A product of its time. And a big part of me misses that time if not for artistic expression alone no matter how silly it may seem. Maybe itโs because modern Hollywood completely lacks integrity and creativity.
Taking an untouched culturally relevant classic and โfollowing it upโ in a soulless braindead era of filmmaking when you already said everything you needed to say 36 years ago? I guess, like summoning Betelgeuse himself, Iโm nervous and weary of what’s to come. But I guess Iโm part of the long con, as Iโll be at the theater early September to see the โjuice on the loose’ once more.
Itโs showtime afterall.
And, yes, I ended up buying the dang Beetlejuice cookies.
For posterity, Iโm going to edit this article with my quick review of Beetlejuice Beetlejuice right here:
EDIT 9/10/24: Beetlejuice Beetlejuice was alright. 2.5/5 Zagnut Bars.