I entered a contest to simply celebrate the legacy of Elvis Presley. Rules are simple: Create an illustration based on one of his songs and use his name and NOT his likeness.
Anyway, I chose “Heartbreak Hotel” because that was a song that really got me into Elvis. Mostly because The Rock would sing a version titled “Smackdown Hotel”. I went simple. Mostly everyone knows this song. So why not just included a hotel and a broken heart?
Took me a couple hours in Photoshop and I’m finally finding my style. Will it win? Doubt it. But I don’t care. I made something I’m proud of.
And, by the way, here’s that Rock clip I mentioned:
Just something simple I did at work during some down time. Hand drawn and scanned into Photoshop.
This game hit arcades in 1981 and is still one of the best. Did you know in Donkey Kong Country for SNES the character “Cranky Kong” is actually the original Donkey Kong and you play as Donkey Kong Jr. grown up?
It breathes, it eats, and, at night, beneath a crawling ground fog with the luster of vaporized pearl, it dreams, dreams while tiny predators stage a nightmare ballet in sharp black grass. It is a living thing it has a soul, it has a face.
At night you can almost see it.
At night you can almost imagine what it might look like if the swamp were boiled down to its essence, and distilled into corporeal form; if all the muck, all the forgotten muskrat bones, and all the luscious decay would rise up and wade on two legs through the shallows; if the swamp had a spirit and that spirit walked like a man…
At night, you can almost imagine.
You can stare into those places where the evening has pooled beneath the distant trees, and glimpse an ambiguous shifting of the darkness, something large, large and slow, its movements solemn and inevitable, heavy with clotted, sodden weed that forms its flesh, its skeleton of tortured root creaks with each funereal pace, protesting at the damp and sullen weight, within their sockets its eyes float like blood-poppies in puddles of ink.
You can inhale through flared nostrils, drinking in its musk, green and pungent, there is the delicate scent of mosses and lichens adorning its flanks, there is the dry and acrid aftertaste of the pinmold that spreads across its shoulders, fanning out in a dull gray rash.
You can stand alone in the blind darkness and know that were you to raise your arm, reaching out to its full extremity, your fingernails would brush with something wet, something supple and resilient, something moving.