
You can find previous “Ad Nauseam”s here.
Welcome back to Ad Nauseam: never ending articles inspecting promotions of yesteryear found in between the โBiffโs and โPowโs of clearance rack comics. Please send help.ย
Tonight we crack open the capitalistic corpse of ALF #23 released December 1989.
ALF (Alien Life Form) was a Marvel comic series based off the television show of the same name. It ran for a surprisingly successful 50 issues (1988-1992), actually exceeding the lifespan of the show. ALF tells the story of Gordon Shumway, an alien from an extinct planet that crash lands in suburban California. Heโs discovered and reluctantly โadoptedโ by a wholesome nuclear family as sitcom shenanigans and laugh tracks ensue. The show was like a fusion of Full House and Garfield complete with 80s sitcom cheese, cat references, food binging, all centering around a family named The Tanners.ย

On a personal note, ALF was one of my favorite shows as a child. Being raised on Muppets, anything involving puppets immediately caught my attention. And in his prime, ALF was a merchandising machine as his face was slapped on coloring books, lunchboxes, and everything in between.ย
Which brings me to the focus of tonightโs articleโฆ
Iโve spent too much time building these virtual monuments to 30+ year old junk food and mailaway trading cards. A driving force behind diving into these ads isnโt nostalgia aloneโฆbut the realization that Iโm part of a bygone era Iโm calling The Lost Art of the Mascot. For better or worse.ย
Thereโs a reason why Iโm so fondly in love with the Mcdonaldโs of yesteryear. Or how Iโll gush over sugary cereal boxes and the return of โthrowbackโ labels on the same old products. The Trix Rabbit! Toucan Sam! Scrubbing Bubbles! The Noid! Mrs. Butterworth! As a child I loved the Energizer Bunny and Chester Cheetah. What they were bussing was moot (or so I thought), yet they turned out to be the reason why I wanted Cheetos in my lunch and Energizer batteries in my talking Robocop. If youโre in your late thirties you CANโT look me in the GOSH DANG eyes and tell me you didnโt eat raisins because of the CALIFORNIA RAISINS singing on your television! Donโt lie to me this isnโt my FIRST RODEO!ย
This is a brilliant marketing strategy that, I would say, peaked throughout the 1960s-1990s. Take a mundane product and pair it with a bright lively marketable character that would appeal to children. This is most common with cereal (as weโll see tonight) but expanded far beyond to everything from batteries to cleaning supplies. Itโs a strategy that cements a brand and creates a brainworm in future customers based on recognition. Itโs planting the seeds of consumption in young malleable selfish minds and might just be considered evil. But, boy, does it work!ย ย
Itโs fitting that I found these ads in an ALF comic. Yet another character created with a big marketable lovable personality full of quippy one liners and sarcasm. Almost as if the priority was merchandising over actual quality. Huh. Well that canโt beโฆcan it? So letโs travel back to the last gasp of the 1980โs with ALF #23 and quietly ask ourselves why is this December released comic themed around Fall?

Trix and Lucky Charms Word Games!
These ads are a great example of how to make your mascot appear as more than just a vapid salesman. Both of these full page ads are games first and ads second. Kids know when theyโre being marketed to, so to literally make a game out of your product is a way to get attention without your little consumer even realizing you’re getting your sugar soaked fingerprints all over their fresh malleable mind. You engage your audience. The cereal and logo take up little of the illustration, making the mascots the main focus besides the game itself. Itโs a way to get kids to โhelpโ the characters (they look distressed afterall) and connect with them. Appeal to emotions. The games center around the themes of the cereal and names so itโs easy to identify next time youโre at the grocery store. If you play this fun game with these characters in your monthly comics, youโd be more than willing to beg mom for their cereal. I felt a loyalty to these characters, therefore, I wanted their cereal over, say, Corn Pops or Frosted Mini Wheat.ย
Also I love how Lucky the Leprechaun is relaxing in his cozy home with an offering of a perfectly balanced breakfast (did anybody really partake in orange juice and milk?) and the Trix Rabbit is cornered in some gritty back alley (also is the pencil oversized or is the Trix rabbit truly that small?). Through engaging ads like this, you might actually look forward to them popping up in your comic book. Imagine that! Soon Trix and Lucky could mean more to you than just breakfast cereal, but in turn, Trix and Lucky Charms might be the first brands that spring to mind when getting some sugary trash to shovel in your gullet at 7 am. Magically delicious? Or Implemented strategically delicious?

Nestle Quik Hop Shop!
Itโs pretty incredible how some of these ads can work on a young mind. I havenโt seen a Nestle Quik commercial in decades and havenโt drank it in probably over 25 years, yet I still remember that Quik bunny suckinโ that gloop up while his long ears twisted around as if he were in the middle of some sort of powdery orgazmic trance.
Here we have an example of being โrewardedโ with stuff you donโt need for consuming junk that will hurt you. Today, this practice of marketing has been (mostly) dropped across the board as it shouts โblind vapid consumerismโ and can direct your child onto the road of diabetes and obesity all in the name of a Quik Bunny Plastic Mug. If you delve back into comics of the 1960s and 70s, youโd find similar โrewardโ programs using points to earn prizes aimed at children. These points were earned through, essentially, a pyramid scheme: Want a kite or magic set? Sell a certain amount of magazine subscriptions (for example). You could earn up to a bicycle! Though marketing like this โHop Shopโ ad truly reflects the consumeristic junkie mindframe that permeated the 1980โs: Eat to earn. Buy our products and earn cool prizes adorning our logo. Itโs a pretty bold and confident move when you think about it.ย
It sounds like John Carpenterโs They Live in a way. Mostly because, in a way, it is. That movie had to come from somewhere, right?
Okay, so Iโm being cynical. I previously touched on a similar tactic with Kool-Aid. And thereโs tons just like this. I donโt look down on anyone who was into this. Mostly because I know for a 100% fact, Iโd partake in this if I didnโt have such a strictly-budgeted mother growing up. The bendable Quik Bunny and Plush Bunny are calling my name. Then Iโd probably go for the t-shirt and some โhot shadesโ. That ice pop maker and mug are swell too. I didnโt even drink Nestle Quik much, but I loved the fun design of the Bunny from the commercials. I liked him. Which was the point. They got me hook, line, and sinker. I delve into this stuff because I fall for it.ย
I actually sought out some of the prizes being offered here through eBay and paired them with the image above. Iโm pretty sure Iโve seen that Quik Bunny mug at almost every flea market Iโve ever been to. Also, do you notice the 1950โs aesthetic in this ad? The music notes, โHop Shopโ logo design, and the way the Bunny talks? The 1950โs Americana fascination was only 30+ years ago at this point in time. The people making these ads were nostalgic for their era. For instance, what era do you see today so firmly replicated throughout marketing in pop culture? Ah, thatโs right, the 1980โs. Which is only 30+ years ago at this point in time. Where does the time go?ย ย ย
ย ย ย

Mr. Bubbleโs Tub Tales!
Man, when was the last time you took a bubble bath? Is taking a bubble bath just a kid thing? Why? I remember always seeing sexy women taking bubble baths in movies, but that was usually because it was PG and they needed to cover up their body. Why canโt a middle aged construction worker come home from a hard day’s work to a nice bubble bath? Can we normalize that? Anywayโฆ
The โmini-comicโ ad youโd find in comic books is a classic tactic. In fact, I wouldnโt mind doing that for a living. Here we get a short tale featuring Mother callinโ in the kiddos after having a fun-filled dirty play day only to *GASP* be excited to take a bath?! Thatโs right, kids, because Mr. Bubble makes getting clean almost as much fun as getting dirty! I love the admittance of sayingย โalmostโ. Theyโre just being honest. Itโs not more fun or even as fun apparently. But the fun doesnโt have to stop in the bath! Because Mr. Bubbleโs got them tees and sweaters to rock on your clean bubbleless bod. And a f**king WATCH?! A Mr. Bubbles Watch?! I wish I couldโve met someone wearing a Mr. Bubbles watch in the wild. Like, who are they? What is their story? How are they doing?
Regardless, this advertisement intertwines the idea of the main product (being bubble bath..er-uh..stuff) supplemented with the idea of wearing the brand out of your pure enjoyment for it. Whereas the Nestle Quik branded swag was based on โearningโ it. Mr. Bubble just wants to be friends, bro. An adult sized shirt cost $4.95 in December of 1989. With inflation (plus $1 for S&H) that comes out to $13.49 in 2022. Not to shabby considering most tees cost around $27 shipped these days. Also notice the inclusion of adult sized clothing (as well as that rad watch). Mr. Bubble was a brand founded in 1961, nearly 30 years of business at the time. Itโs appealing to nostalgia. Your kid would see it and might want one and thereโs an off chance that you might tooโฆseeing as you might have grown up with Mr. Bubble as well. That marketing practice is super common today as nostalgia has become almost the go-to route for marketing towards adults.ย
And, yes, I managed to go to Mr. Bubble’s website. And, yes, they sell shirts and little Mr. Bubble dolls. And, yes, Iโm internally struggling with not buying them.ย
I always bring up throughout these Ad Nauseum articles how you no longer see ads for sugary snack cakes, candy, or tooth rotting โjuiceโ drinks marketed towards children anymore; much less rewarding them with prizes for consuming them. Commercials donโt have the same imagination and charm as they used to either. When was the last time you saw Ronald dicking around in Mcdonaldland? Or Captain Crunch recklessly sailing his ship into a kitchen under the influence of crunchberries? Or Kool Aid man carelessly bursting through drywall? Lumber costs have skyrocketed you giant pitcher abomination.ย ย
And, in all honesty, itโs for the best. These mascots still exist but theyโre minimal and present for posterity. Whenever they are used, itโs sparingly to appeal to a time where youโd eat this trash and not feel like it. As a society weโve become much more conscious of what’s in our food and the benefits of it. I believe weโve broken a marketing cycle and caused a shift towards a more healthy and transparent approach. It may no longer involve a colorful talking toucan or collecting proofs of purchase for a glow-in-the-dark yo-yoโฆbut it benefits us long term. I can definitely see a day in my lifetime where all these mascots are distant memories. Where some 78 year oldโs suspiciously hairy ears perk up as weโd recall โCheesasaurus Rex” over overpriced space-lattes on Planet Starbucks.ย ย ย
Regardless, I am fond of this stuff. These colorful faces that greeted me on Saturday mornings and in between the pages of my favorite superhero adventures. The excitement I felt digging through sugary cereal I convinced my mom I needed just for the toy inside. Looking at the cookies baking in the oven to see if the Pillsbury Doughboy would actually pop up and greet me. It could be the time and place that gets me. But itโs also the marketing itself. Itโs genuine nostalgia for something that was strategically planned and meticulously implemented by a boardroom of rich business tycoons. So undeniably American. But when you look at things that wayโฆit kinda sucks the fun and wonder out of life.
Although the Art of the Mascot is indeed lost and I truly can’t think I’m better off for being apart of it, I can at least look back at it through the eyes of a child and smile. In a lot of cases ignorance is bliss afterall. Thanks for thumbing in between the action of old comics and reminiscing with me. Youโll always find โinsightโ into comfy comic culture here on ChrisDoesComics.















